“Fight Against Stupidity And
Bureaucracy”
Gilbert
Young was as aspiring writer, something that will find sympathy with many
bloggers and blog readers I’m sure.
But Mr
Young has not been the most successful of authors. In the 1970s he wrote a
book, World Government Crusade, and last reports indicate that it was rejected
by more publishers that any other manuscript. He even wrote to the Soviet
Ambassador to see if Russian publishers might be interested. They were not.
He amassed
a collection of 205 rejection slips.
It’s all
hardly surprising since the subject matter of his book outlined the policies of
the ‘World Government and Old Age
Pensioners’ Party’ that he had founded in 1958.
But whilst
Mr Young’s manuscript may well have been worthy of rejection, sometimes
publishers have made serious errors when assessing work submitted to them by
aspiring authors. Stupidity is indeed everywhere!
Take a look
at these famous examples and the publisher’s comments. It’s a fairly long list,
but interesting to see the variety of great writers who started off their
careers being rejected. Many of them will surprise you!
Thank
goodness they were persistent enough to carry on. Another good lesson there for
aspiring writers today.
Perhaps rather
fittingly, whilst the authors and books they criticized have gone on to become
household names, the publishers doing the rejecting have long been forgotten.
Enjoy.
“Lady Chatterley's
Lover” by D H Lawrence
'for your own sake do not publish this book.'
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“The Wind in the
Willows” by Kenneth Grahame
'an irresponsible holiday story'
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“Lord of the Flies” by William Golding
'an absurd and uninteresting fantasy
which was rubbish and dull.'
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“Watership Down” by Richard Adams
'older children wouldn't like it because
its language was too difficult.'
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"Valley
of the Dolls" by Jacqueline Susann
Susann's
“Valley Of The Dolls” received this
response, "...she is a painfully
dull, inept, clumsy, undisciplined, rambling and thoroughly amateurish writer
whose every sentence, paragraph and scene cries for the hand of a pro. She
wastes endless pages on utter trivia, writes wide-eyed romantic scenes ...hauls
out every terrible show biz cliché in all the books, lets every good scene fall
apart in endless talk and allows her book to ramble aimlessly ..."
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“Crash” by J G Ballard
‘The author of this book
is beyond psychiatric help.'
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"The
Torrents of Spring" by Ernest Hemingway
Regarding
his novel, "The Torrents of
Spring", Ernest Hemingway was rejected with, "It would be extremely rotten taste, to say nothing of being
horribly cruel, should we want to publish it."
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"Moby
Dick" by Herman Melville
Melville
was told, "We regret to say that our
united opinion is entirely against the book as we do not think it would be at
all suitable for the Juvenile Market in (England). It is very long, rather
old-fashioned..."
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William Faulkner
Faulkner
may be a classic writer to this, as well as prior, generation, but back when he
was trying to crack the publishing market, he had to read letters like this
one, "If the book had a plot and
structure, we might suggest shortening and revisions, but it is so diffuse that
I don't think this would be of any use. My chief objection is that you don't
have any story to tell." This was kinder than the rejection he would
receive just two years later, "Good
God, I can't publish this!"
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“The Deer Park” by Norman Mailer
'This will set
publishing back 25 years.'
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“Gentlemen Prefer
Blondes” by Anita Loos
'Do you realize, young
woman, that you're the first American writer ever to poke fun at sex.'
--------------------------------
“The Diary of Anne
Frank”
‘The girl doesn’t, it
seems to me, have a special perception or feeling which would lift that book
above the “curiosity” level.’
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“Lust for Life” by Irving Stone
Stone’s
manuscript “Lust For Life” was
rejected 16 times, with letters like this, "A
long, dull novel about an artist." Eventually he found a publisher and
went on to sell about 25 million copies.
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“Barchester Towers” by Anthony Trollope
'The grand defect of the
work, I think, as a work of art is the low-mindedness and vulgarity of the
chief actors. There is hardly a lady" or "gentleman"
amongst them.'
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“Carrie” by Stephen King
'We are not interested
in science fiction which deals with negative utopias. They do not sell.'
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“Catch – 22” by Joseph Heller
‘I haven’t really the
foggiest idea about what the man is trying to say… Apparently the author
intends it to be funny – possibly even satire – but it is really not funny on
any intellectual level … From your long publishing experience you will know
that it is less disastrous to turn down a work of genius than to turn down
talented mediocrities.’
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“The Spy who Came in
from the Cold” by John le Carré
‘You’re welcome to le
Carré – he hasn’t got any future.’
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“The War
Of The Worlds” & “The Time Machine” by H.G. Wells
Wells
had to endure the indignity of a rejection when he submitted his manuscript, "The War of the Worlds" that
said, "An endless nightmare. I do
not believe it would "take"...I think the verdict would be 'Oh don't
read that horrid book'."
And
when he tried to market "The Time
Machine," it was said, "It
is not interesting enough for the general reader and not thorough enough for
the scientific reader."
----------------------
“Animal Farm” by George Orwell
‘It is impossible to
sell animal stories in the USA’
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Edgar Allen Poe
Poe
was told, "Readers in this country
have a decided and strong preference for works in which a single and connected
story occupies the entire volume."
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“A Wrinkle In Time” by Madeleine L’Engle
L’Engle's
“A Wrinkle In Time” was turned down
29 times.
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"Bridge
Over River Kwai" by Pierre Boulle
A
rejection letter said, "A very bad
book."
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"The
Clan of Cave Bear" by Jean Auel
Auel
was told, "We are very impressed
with the depth and scope of your research and the quality of your prose.
Nevertheless ... we don't think we could distribute enough copies to satisfy
you or ourselves."
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"Jonathan
Livingston Seagull” by Richard Bach
The
publisher of a magazine refusing an offer to bid on the paperback rights to
Bach's best selling novel said, "Jonathan
Livingston Seagull will never make it as a paperback." Avon Books
eventually bought those rights and sales totaled more than 7.25 million copies.
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"The
Fountainhead" & "Atlas Shrugged" by Ayn Rand
Before
Ayn Rand became known as an intellectual and her books as classics, she too
received rejections. Of “The Fountin
Head” they said, "It is badly
written and the hero is unsympathetic," and, "I wish there were an audience for a book of this kind. But there
isn't. It won't sell."
Of
“Atlas Shrugged” doing the rounds some fourteen years later, "... the book is much too long. There
are too many long speeches... I regret to say that the book is unsaleable and
unpublishable."
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“Lady Windermere’s Fan” by Oscar Wilde
‘My dear sir, I have read your manuscript. Oh, my dear sir.’
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Jorge Luis Borges
'utterly untranslatable'
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Isaac Bashevis Singer
'It's Poland and the
rich Jews again.'
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Anais Nin
'There is no commercial
advantage in acquiring her, and, in my opinion, no artistic.'
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Dr Seuss
"too different from
other juveniles on the market to warrant its selling."
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Beatrix Potter
“The Tale Of Peter
Rabbit”
was turned down so many times, Potter initially self-published it.
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Rudyard Kipling
Kipling
received this from the editor of the San Francisco Examiner, "I'm sorry, Mr. Kipling, but you just
don't know how to use the English language."
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"Journey
Back to Love" by Mary Higgins Clark
Although
mystery writer Mary Higgins Clark more recently has received a $60 plus million
dollar advance on her next five books, in the early 1960s when she was sending
out her manuscript of "Journey Back
to Love" the publishers were not so generous, saying things like, "We found the heroine as boring as her
husband did."
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Colette
Classic
writer Colette was told in a letter of rejection, "I wouldn't be able to sell 10 copies."
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Emily Dickinson
Only
seven of Emily Dickinson's poems were ever published during her lifetime. A
rejection early in her career said, "(Your
poems) are quite as remarkable for defects as for beauties and are generally
devoid of true poetical qualities."
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Lolita by Vladimir Nabokov
‘... overwhelmingly
nauseating, even to an enlightened Freudian … the whole thing is an unsure
cross between hideous reality and improbable fantasy. It often becomes a
wild neurotic daydream … I recommend that it be buried under a stone for a
thousand years.’